Key Takeaways
Introduction to Wat Senasnarama Rajvaravihara
Nestled behind the historic Chankasem Palace lies Wat Senasnarama Rajvaravihara, an ancient temple that boasts a rich history and profound cultural significance. This temple is renowned for housing two Buddha images, which were transferred from Vientiane. The temple’s historical roots can be traced back to the Ayutthaya period, and it underwent significant restoration during the reign of King Rama IV. This sacred site is not just a symbol of religious reverence but also a testament to the artistic and architectural grandeur of its time.
Location and Historical Background
Location
Wat Senasnarama Rajvaravihara is strategically situated on U-Tong Road, in the Tumbol Hua Ror area of Ayutthaya. The temple’s location plays a role in its historical importance, as Ayutthaya was once the thriving capital of thailand and a center for culture and religion. The accessibility to the temple makes it a popular destination for both pilgrims and tourists who are interested in exploring the rich history of Thailand.
Historical Background
Originally named ‘Wat Sue,’ this temple was established during the Ayutthaya period, reflecting the architectural and cultural influences of that era. It was later restored during the reign of King Rama IV, a period known for significant cultural and religious revitalization in Thailand. The temple’s restoration under the patronage of King Rama IV highlights its status as a prior royal temple, emphasizing its importance in the religious and royal history of the nation.
Architectural Highlights
Ubosot in Ayutthaya’s Style
One of the key attractions within the temple is the ubosot (ordination hall) designed in the traditional Ayutthaya style. This ubosot is notable for its exquisite carved wood gable, which is adorned with gold, reflecting the grandeur and artistic excellence of the era. The gable is also adorned with a signet of King Rama IV, marking the temple’s restoration by His Majesty. This emblem signifies the royal endorsement and patronage that the temple received, further enhancing its historical and cultural significance.
Interior Art and Decor
Inside the ubosot, visitors can admire paintings from the era of King Rama V. These artworks include a depiction of the gathering of angels, the 12th-month royal ceremony, and a historic photo of His Majesty wearing the Phra Maha Pichai crown while seated on the throne. These paintings not only serve as artistic masterpieces but also as historical documents that provide insights into the cultural and religious practices of the time.
Significant Buddha Images
Phra Sumbhud Munee
The ubosot houses an important Buddha image known as Phra Sumbhud Munee, which depicts the Buddha in the attitude of subduing Mara. This image is covered in gold, adding to its sacred and revered status. The decoration around this Buddha image includes an arch intricately carved with Khmer alphabets, showcasing the cross-cultural influences that have shaped Thai religious art.
Reclining Buddha Image
Adjacent to the temple’s chedi stands a magnificent reclining Buddha image, crafted by lining up stones one by one and carving them with precision. This Buddha image was originally seated at Wat Maha Tat but was later relocated to Wat Senasnarama Rajvaravihara by order of King Rama V. The relocation of such a significant image underscores the temple’s importance as a center for religious art and worship.
Indra Vihear
Next to the reclining Buddha image is the Indra Vihear, which houses another Buddha image in the attitude of subduing Mara, believed to have been constructed with divine intervention by Indra. This belief adds an element of myth and mystique to the temple, attracting devotees and historians alike who are eager to explore its spiritual significance.
Cultural and Artistic Significance
Stone Pulpits and Paintings
The temple features two stone pulpits, elegantly covered in gold, which serve as platforms for religious discourse. Additionally, there are paintings from the reign of King Rama IV that depict the integral relationship between people’s way of life and the temple. These paintings offer a glimpse into the daily lives and religious practices of the people during that period.
Prohibited Animal Paintings
Within the temple, there are also ten paintings of animals that monks are prohibited from consuming. These paintings serve as a reminder of the dietary restrictions and ethical guidelines observed by the monastic community, reflecting the intertwining of religion, culture, and daily life.
Conclusion
Wat Senasnarama Rajvaravihara is not merely a religious site but a repository of Thailand’s rich cultural and historical heritage. With its intricate architectural designs, significant Buddha images, and illustrative paintings, the temple stands as a testament to the artistic and spiritual achievements of its time. Visitors to the temple can immerse themselves in the rich history and cultural narratives that continue to resonate within its sacred walls. For those seeking further information, the temple can be contacted at 03-525-1518 or through their website at http://watsenasanaram.blogspot.com.
Address And Location:
101 Moo 10, U Thong Road Hua Ro Phra Nakhon Si Ayutthaya Phra Nakhon Si Ayutthaya 13000